TY - BOOK ED - Bernasconi, Gianenrico ED - Thürigen, Susanne PY - 2020 DA - 2020// TI - Material histories of time: objects and practices, 14th-19th centuries T3 - Object studies in art history vol. 3 PB - De Gruyter CY - Berlin KW - ART / General AB - Frontmatter -- Contents -- Introduction -- Musique et Jouvence au royaume de France. Le Roman de Fauvel et la fontaine de Cleveland (Paris, vers 1320) -- Designing a Model of the Cosmos. Theoretical and Visual Considerations Concerning the Construction of Astronomical Clocks through Early Modern Times -- The 16th-century Astronomical Clock of the National Maritime Museum of Greenwich. Cultural and Sensorial Analysis -- Clocks, Clock Time and Time Consciousness in the Visual Arts. William Hogarth’s Modern Moral Subjects -- De l’acquisition au réglage. L’horlogerie parisienne du xviiie siècle et ses usages -- Time Technologies. Londoners and Their Timepieces (1775–1825) -- La montre et l’odomètre. À propos de l’Itinéraire des routes les plus fréquentées de Louis Dutens (1775) -- Les montres de voyage. Désignations, techniques et usages (1700–1830) -- Les voyageurs et leurs montres en Europe à la fin du xviiie siècle. Entre précision technique et flou temporel -- Time Management at School from the Late Middle Ages to the Industrial Age. A Few Cases in Point -- Temps et cuisine, xviie–xviiie siècles. Remarques sur les pratiques de transformation alimentaire -- Clocks and Timekeeping in Lavoisier’s Experiments on Animal Respiration. The Chemical Revolution, Its Material Culture and Taken-for-Granted Knowledge -- Broken Watches. Sources and Methods for the Study of Time Consciousness -- The First Black Forest Clock. How a Fake Impacted Our Notion of Clock History -- Picture Credits SN - 9783110625035 UR - https://www.degruyter.com/isbn/9783110625035 UR - https://www.degruyter.com/cover/covers/9783110625035.jpg UR - https://doi.org/10.1515/9783110625035 DO - 10.1515/9783110625035 LA - English N1 - edited by Gianenrico Bernasconi and Susanne Thürigen ID - 1744322848 ER -