TY  - BOOK
AU  - Yagil, Limor
PY  - 2015
DA  - 2015//
TI  - Au nom de l'art: 1933 - 1945 ; exils, solidarités et engagements
PB  - Fayard
PB  - Université Paris-Sorbonne
CY  - [Paris]
KW  - National socialism and art
KW  - France
KW  - Paris
KW  - Jewish artists
KW  - Social conditions
KW  - World War, 1939-1945
KW  - Jews
KW  - Rescue
KW  - Artists
KW  - Expatriate artists
KW  - Expatriate artists / Social conditions / 20th century / France / Paris
KW  - World War, 1939-1945 / Art and the war
KW  - National socialism and art / France / Paris
KW  - Jewish artists / Social conditions / 20th century / France / Paris
KW  - World War, 1939-1945 / Jews / Rescue / France / Paris
KW  - Artists / Social conditions / 20th century
KW  - Paris (France)
KW  - History
KW  - Intellectual life
AB  - Even before the First World War, Paris attracted artists from throughout Europe: Russian, Polish, Hungarian, Czech, or German artists, who came to study at the Academies of painting or of music. Several waves of migration brought Jewish artists who were fleeing persecution, and these artists formed networks of friendship with French artists in Paris: channels that operated during the Occupation and the Vichy regime to protect the victims of that regime. The intervention by Sacha Guitry and Arletty on behalf of Tristan Bernard is well known, but Limore Yagil reveals many others as well. At the intersection of cultural and political history, Yagil traces these networks of solidarity from their origins, reconstructing a geography of mutual cooperation, and investigating the significance that should be given to these acts of civil disobedience
SN  - 9782213680897
LA  - French
N1  - Limore Yagil
ID  - 1615593047
ER  -