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    <title>polyphonic novel in contemporary British fiction</title>
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    <namePart>Yeşilbaş, Emre</namePart>
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    <namePart>Haschemi Yekani, Elahe</namePart>
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  <abstract type="Summary">This thesis offers an alternative history of contemporary British fiction by centralizing the conception of genre as a ‘way of seeing and conceptualizing the world. By recontextualizing and reintroducing the polyphonic novel as a distinctive, emergent (cf. Williams) genre that mediates the contradictions of neoliberal individualism and its cultural manifestation, postmodernism, this thesis offers a distinctive perspective on cultural diversity and social fragmentation in contemporary Britain and aims to complement aesthetic and postmodernist literary histories that prioritize diversity.&lt;eng&gt;</abstract>
  <abstract type="Summary">Diese Dissertation bietet eine alternative Geschichte der zeitgenössischen britischen Literatur, indem sie das Konzept des Genres als eine "Art, die Welt zu sehen und zu konzeptualisieren" zentralisiert. Durch die Rekontextualisierung und Wiedereinführung des polyphonen Romans als ein charakteristisches, emergentes Genre, das die Widersprüche des neoliberalen Individualismus und seiner kulturellen Manifestation, der Postmoderne, vermittelt, bietet diese These eine charakteristische Perspektive auf kulturelle Vielfalt und soziale Fragmentierung im heutigen Großbritannien.&lt;ger&gt;</abstract>
  <note type="statement of responsibility">vorgelegt von Emre Yeşilbaş</note>
  <note>GutachterInnen: Christian Schmitt-Kilb (Institut für Anglistik/Amerikanistik, Universität Rostock) ; Elahe Haschemi Yekani (Institut für Anglistik/Amerikanistik, Humboldt-Universität zu Berlin) ; Dirk Wiemann (Institut für Anglistik/Amerikanistik, Universität Potsdam)</note>
  <note type="thesis">Dissertation Universität Rostock 2020</note>
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