%0 Book
%T Au nom de l'art: 1933 - 1945 ; exils, solidarités et engagements
%A Yagil, Limor
%D 2015
%I Fayard
%C [Paris]
%C Université Paris-Sorbonne
%@ 9782213680897
%G French
%F 1615593047
%O Limore Yagil
%O Literaturverzeichnis: Seite 535-560
%O Habilitationsschrift Universität Paris 2010
%O Archivierung/Langzeitarchivierung gewährleistet SSG XA-DE-BW pdager DE-16
%X Even before the First World War, Paris attracted artists from throughout Europe: Russian, Polish, Hungarian, Czech, or German artists, who came to study at the Academies of painting or of music. Several waves of migration brought Jewish artists who were fleeing persecution, and these artists formed networks of friendship with French artists in Paris: channels that operated during the Occupation and the Vichy regime to protect the victims of that regime. The intervention by Sacha Guitry and Arletty on behalf of Tristan Bernard is well known, but Limore Yagil reveals many others as well. At the intersection of cultural and political history, Yagil traces these networks of solidarity from their origins, reconstructing a geography of mutual cooperation, and investigating the significance that should be given to these acts of civil disobedience
%L 940.5
%K National socialism and art
%K France
%K Paris
%K Jewish artists
%K Social conditions
%K World War, 1939-1945
%K Jews
%K Rescue
%K Artists
%K Expatriate artists
%K Expatriate artists / Social conditions / 20th century / France / Paris
%K World War, 1939-1945 / Art and the war
%K National socialism and art / France / Paris
%K Jewish artists / Social conditions / 20th century / France / Paris
%K World War, 1939-1945 / Jews / Rescue / France / Paris
%K Artists / Social conditions / 20th century
%K Paris (France)
%K History
%K Intellectual life
%9 theses
%9 Text
%9 Hochschulschrift