@Book{1608265250,
editor="Bensaude-Vincent, Bernadette",
title="artificial and the natural: an evolving polarity",
series="Dibner Institute studies in the history of science and",
year="2007",
publisher="MIT",
address="Cambridge, Mass.",
keywords="Science; Europe; History; Philosophy; Philosophy, European; Science, Medieval",
contents="Introduction -- Physis and techn{\={e}} in Greek medicine -- The three pleasures of mimesis according to Aristotle's Poetics -- Art and nature in ancient mechanics -- Art, nature, alchemy, and demons -- Forms of art in Jesuit Aristotelianism (with a coda on Descartes) -- The artificial and the natural -- Renaissance histories of art and nature -- Leibniz's theatre of nature and art and the idea of a universal picture atlas -- Spinoza on the natural and the artificial -- Eighteenth-century wetware -- Overtaking nature? the changing scope of organic chemistry in the nineteenth century -- Reconfiguring nature through syntheses -- Concluding comments.",
abstract="Introduction -- Physis and techn{\={e}} in Greek medicine -- The three pleasures of mimesis according to Aristotle's Poetics -- Art and nature in ancient mechanics -- Art, nature, alchemy, and demons -- Forms of art in Jesuit Aristotelianism (with a coda on Descartes) -- The artificial and the natural -- Renaissance histories of art and nature -- Leibniz's theatre of nature and art and the idea of a universal picture atlas -- Spinoza on the natural and the artificial -- Eighteenth-century wetware -- Overtaking nature? the changing scope of organic chemistry in the nineteenth century -- Reconfiguring nature through syntheses -- Concluding comments",
note="edited by Bernadette Bensaude-Vincent and William R. Newman",
note="Includes bibliographical references and index",
note="Archivierung pr{\"u}fen 20200919 DE-640 3 pdager",
isbn="0262026201",
language="English"
}